1xRUN, the world's leading publisher of fine art editions, invited me to curate a project that celebrated Mexico’s graphic heritage through a wide range of print and edition-making techniques. Rather than producing editions for their own sake, the focus was on creating the right edition for each artist, matching medium, process, and scale to their visual language, iconography, and way of working. The project brought together giclée prints, screenprints, linocut prints, and letterpress prints, alongside wood and ceramic pieces, creating a collection shaped as much by material decisions as by image-making.

A key part of my role was both curatorial and production-led: guiding artists toward processes that could expand their practice, while coordinating print and edition production across multiple cities, including Mexico City, Detroit, Minneapolis, Oaxaca, Monterrey, and Chiapas. The result was a body of work that felt cohesive in vision yet distinct in form, grounded in craft, experimentation, and the strength of contemporary Mexican image culture.